Street entertainers are often found in tourist areas of major cities.
Some play violins, tubas, harmonicas, accordions, or other instruments,
while others team up to sing songs or juggle various objects. Some street
entertainers are highly creative and talented; others "need more
practice." But, regardless of talent level, these entertainers illuminate
the concepts of free riders and public goods.
Most street entertainers have a hard time earning a living from their
activities (unless event-organizers pay them). Their problem is that they
have no way of excluding nonpayers from the benefits of their entertainment.
They essentially are providing public, not private, goods and must rely
on voluntarily payments.
The
result is a significant free-rider problem. Only a few in the audience
put money in the container or instrument case, and many who do contribute
only token amounts. The rest are free riders. Because they did not ask
the entertainers to perform, they rightfully feel no obligation to pay
for the performances. Free riders obtain the benefits of the street entertainment
and retain their money for purchases that they initiate.
Street entertainers are acutely aware of the free-rider problem and some
have found creative ways to lessen it. For example, some entertainers
involve the audience directly in the act. This usually creates a greater
sense of audience willingness (or obligation) to contribute money at the
end of the performance.
"Pay for performance" is another creative approach to lessening
the free-rider problem. A good example is the street entertainer painted
up to look like a statue. When people drop coins into the container, the
"statue" makes a slight movement. The greater the contributions,
the greater the movement. But these human "statues" still face
a free-rider problem: Nonpayers also get to enjoy the acts.
A relatively few street entertainers supplement their earnings by selling
CDs of their music to appreciative audience members. Unlike their public
performances, the CDs are private goods. Only consumers who pay for the
CDs obtain the benefits.
Finally, because talented street entertainers create a festive street
environment, cities or retailers sometimes hire them to perform. The "free
entertainment" attracts crowds of shoppers who buy goods from nearby
retailers. In these instances the cities or retailers use tax revenue
or commercial funds to pay the entertainers, in the former case validating
them as public goods.