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Recent years, however, have witnessed something of a return to the rhetorical priorities of the old communication movement. Many composition programs now include oral composition and delivery in their curricula (a trend reflected in the recent appearance of “effective speaking” sections in Composition texts and handbooks). Moreover, as Communication-across-the-Curriculum gathers momentum, many American colleges have begun to experiment with combining instruction in both speaking and writing across the disciplines. At this historical juncture, when Composition may find itself linked with oral communication, we want to share our observations of the practical challenges to integrating and balancing instruction in speaking and writing.
Closely related to the challenge of teaching more than one set of delivery skills is the challenge of teaching them in a course that has for decades been accumulating a host of other instructional responsibilities that the academy deems “essential” to higher education but cannot seem to find a place for. First-year Rhetoric programs routinely accept responsibility for teaching reading, research, critical thinking, computer literacy, media literacy, time-management, study skills, and more. Faced with this wide array of instructional responsibilities, many Rhetoric teachers find they do little more than scratch the surface, and we often feel frustrated for having taught our students a little of everything but not a lot of anything. We come face to face with the impossibility of meeting these many and varied instructional responsibilities alone; they must be infused throughout the entire curriculum, shared and reinforced by our faculty colleagues in other disciplines and courses.
Our Rhetoric courses at Iowa require three major essays and three major speeches. Our faculty generally agree on what an essay is, but we are less certain about what should count as a speech. Only a solo stand-up performance? Will students really have to perform such formal speeches in their undergraduate years and in their future lives? If a student reads a script aloud in front of the room, does that qualify as a speech? If not, who are we, who read our papers at conferences, to downgrade such performances? Is a group panel in which each student speaks independently for five-seven minutes a speech? Should conducting class discussion be considered a speaking performance? These last two types of public speaking are more in line with what students will experience in their college and professional lives, but many faculty do not count them as speeches.
Last year our department underwent an external review that examined, among other things, the advisability of our remaining a free-standing, non-degree-granting department. Our reviewers recommended that we retain our current departmental structure but advised the University to do more to promote “the continued development of student communication competencies” in a Communication Across the Curriculum program. As we contemplate our next steps and prepare to advise the University of our students’needs, we hope to hear from others who face or have overcome challenges to integrating and balancing undergraduate speaking and writing instruction in composition or rhetoric courses, and in institutional contexts that include or are developing Communication Across the Curriculum programs. Some beginning questions: Should instruction in speaking be included in a composition course? What is the rationale behind your response? Does your institution support instruction in speaking beyond the composition course? Are students required to use their speaking skills to give presentations in courses after composition? If so, do you feel they are adequately prepared to give these presentations? If your students give speeches or presentations in their writing classes, are the grades on these speeches weighted equally with the writing grades? When you teach speaking along with writing, how do you balance higher order skills (such as argumentation and integration of sources) with lower order skills (such as maintaining a connection with the audience through sustained eye contact, or speaking from minimal notes instead of a fully prepared text)? Do you teach students how to turn a paper into a speech or are the speech topics different from the writing topics? If so, how do they differ? Are the speaking performances in your courses called speeches? Presentations? Speaking performances? Talks? Some of the above? What is the rationale for the labels you use? Do you consider leading class discussion or a panel presentation to qualify as a speech? Does a speech that is read verbatim from a script to qualify as a speech? Is speaking as important as writing in your communication across the curriculum program? What resources, articles, and books have you read that have helped you incorporate speaking into your composition courses?
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