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Music Appreciation 3e Kamien | |||||
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| Online Learning Center |
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Vocal soloist and choir
CD 1, Tracks 43-45
This example of Gregorian chant is made up of two contrasting parts followed by a return of the first at the end of the work. Consequently, this chant may be described as an example of ABA form. As outlined below, the first section begins with an alternation between the solost and choir in unison (monophonic). Note the extended phrase on the last syllable of "Alleluia," (ia). This ornamental treatment of a single syllable sung to a series of notes is known as a "melisma," an important feature of Gregorian chant. Also significant is the lack of any precise system of measured rhythm. Notice that each note is represented by a solid notehead rather than a note with any specific value. (The red-line graph in the B section has been included to draw attention to an early awareness of the structural importance of the tonic (D), dominant (A) relationship--a relationship that grows stronger as the history of music unfolds.) Glancing through the complete notation in Kamien (p. 67) you will notice that the dominant (A) is the highest note, i.e., the climactic note, of the selection.

| 43) | Solo, opening phrase | Alleluia. | Hallelujah. |
| Choir, opening phrase with | Alleluia. | Hallelujah. | |
| many tones on ia |
| 44) | Choir | Vidimus stellam ejus in Oriente | We have seen his star in the east |
| et venimus cum muneribus adorare | and are come with gifts to worship | ||
| Dominum. | the Lord. |
| 45) | Choir, opening phrase with | Alleluia. | Hallelujah. |
| many tones on ia |