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Music Appreciation 3e Kamien | |||||
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CD 1, Track 59-61, Duration 4:04
59) Subject, soprano voice alone, minor key.
:18 Subject in alto, countersubject in running notes in soprano.
:35 Episode (sequence).
:41 Subject in tenor, countersubject above it.
:58 Subject in bass (pedals), countersubject in tenor.
60) Brief episode, downward sequence.
:10 Subject begins in tenor, continues in
soprano.
:20 A sustained tone in the bass serves as a stable foundation
upon which the above harmonies constantly shift.
:30 Brief episode, running notes in a downward sequence.
61) Subject in alto, major key;
countersubject in soprano; subject leads to
:21 Episode in major, upward leaps and running notes.
:27 Subject in bass (pedals), major key, countersubject and long
trill above it.
:44 Longer episode, downward sequence; begins in major, ends in
minor.
1:01 Subject in soprano, minor key, countersubject below it.
1:18 Most extended episode, running notes in a downward sequence;
upward sequences lead to sustained high tones which usher in
1:47 Subject in bass (pedals), countersubject in soprano. Fugue
ends with major chord. (Note that although it began in a minor
key, the fugue concludes with a G major chord. This is a
frequently encountered characteristic of baroque fugues written
in minor keys.)